27 October: Top Tip

And another thing: Hyperfocal Distance

Same thing, really: make sure stuff is in focus. This time, it’s landscapes.

The 28 September photo of the day shows the problem: is the stuff in the foreground really as sharp as it could be?

tree_and_sheep

After that trip, I looked up the whole hyperfocal distance business. Here’s the approximate formula: square of the focal length, divided by the product of the aperture value and the circle of confusion:

$latex H\approx\frac{f^2}{Nc}$

For our camera, that’s focal length squared, divided by f-number times 0.020. The answer comes out in millimeters.

I applied this (roughly) for the Falcondale Lake pictures. I think they look a bit sharper…

falcondale

Posted in Examples, Top Tips | Tagged , , , | Leave a comment

26 October: Top Tip

Be careful with wide apertures

Here’s a tip: be careful to actually get the subject in focus when using wide apertures in gloomy conditions.

Tree

Today’s phyoto of the day illustrates the problem: a nice mossy tree in some gloomy woods at Cwmdare Country Park. I chose a wide aperture to let in more light because I was already at ISO 800. But the narrower depth of field means the whole tree is far from in focus – even with the 24mm lens.

 

Posted in Examples, Top Tips | Tagged , , , , , | Leave a comment

Practice

Reminder: Make a page for practice.

1. Ways of practicing

Examples: http://zarias.tumblr.com/post/26715917345/i-want-to-improve-my-artistic-photography-skills-im

2. Gallery of practice shots

Posted in Exercises, Task List | Tagged , , , | Leave a comment

Point

Well, maybe two points:

DSC_8640

Posted in Exercises | Tagged , , | Leave a comment

Mr Long says, “Work the shot”.

So why didn’t I listen?

Subject and background, point of view, simplicity and balance. These are the four elements we’re supposed to be looking for. And in order to get them, Mr Long says we need to look around and try lots of different shots of whatever it is we’re trying to photograph.

Here’s what happens when I don’t listen to Mr Long:

Missed Opportunity

This bit of driftwood on Swansea beach could be a nice subject. The sea and Mumbles Head could make a nice background. There are three or four slightly different shots in this series, but they’re almost all the same, and they don’t deliver the four elements properly.

Mumbles Head really needs to be in the frame. Why isn’t it? Not looking around the viewfinder carefully, that’s why. The log could have been a nice leading line.

It’s a half-hearted point of view. Get closer to the subject!

Where’s the balance? The log’s just lying there. A couple of steps to the right, a lower point of view and getting closer to the log could have made it all better – and probably simplified the picture.

Here’s the picture that I was most (but not really) satisfied with:

Driftwood

The log’s position in the frame is still dodgy and I wasn’t close enough to it. This time, maybe circling around to the left would have helped. Maybe the log could lead the eye to Mumbles Head? Getting closer would also eliminate the distracting grass in the foreground.

So, lessons learned:

  • Do what you’re told
  • Apply the lessons, don’t just sit there reading and watching
  • Take more time – circle around and try several different things
  • Look around the scene properly through the viewfinder
Posted in Critique, Exercises | Tagged | Leave a comment